- What are your memories of the fortunate, the first film shot with Jean Becker?
- An excellent and not so distant memory. It was a movie that struck many people and often speak of it. No wonder: it has a simple story but very human, often born of the best movies. And those that remain etched in the collective memory.
- How did this new collaboration with Jean Becker?
- Jean called me and sent me a book and thought of me for one of the papers. I enjoyed reading Afternoons with Margueritte, especially the language used by the author highway Marie-Sabine Roger. But the relationship full of tenderness between the old and played by Gérard Depardieu buenazo. Then I got the script, in which Jean followed the book to perfection while giving it a personal note: his love of nature, which is visible without being forced. I acknowledge that I do not live in nature. I am a Parisian-blooded and have always lived in the district XVIII. Although he knows nothing of the field, is the aspect that touched me.
- What do you like when working with Jean Becker?
- I returned to find the same goodness in the filming of The fortune of living. And also its efficiency: no time is wasted on a set with Jean. It is very nice because it asks, but does not impose. Do not fight with him, everything is natural and pleasant, and even more so because the character I play I was not at all strange.
- Margueritte How would you describe?
- perhaps due to the numerous travels, he feels a certain detachment from his surroundings. It is sensitive, but not whining. Despite its appearance, have much authority.
- Why do you feel affection for the character Chazes Germain?
- I am moved by the sincerity and naturalness of the man. Above all understand your desire to know more. Is someone unpolished, even boorish, but eager to learn what life has given him no.
- Was it difficult to become your character?
- Pierre Fresnay had a theory and I share with him: no one enters a character, the character must enter the actor. Although not known as many things as Marguerite, I had no trouble at all letting me penetrate her. I do not know if the result is convincing, but there was no difficulty in interpreting character.
- How did the scenes that set the pace of the film with Gérard Depardieu in the bank?
- First, I was delighted to meet Gerard. It was all very natural between us. Do not forget what could be his grandmother. If God permits, I will fulfill 96 years in June. Then, it is very pleasant to work with a great professional. I had fun with him during the preparation of the plan, gestures, laughs, speaks volumes.
- Still getting nervous when he plays?
- In the theater I have fear to tread upon the stage. In a set too, but different. We are in the hands of art director and we are not solely responsible for the work. To surrender completely, very reassuring to work with a director as good as Jean. I know enough to listen and try to follow his instructions.
- An excellent and not so distant memory. It was a movie that struck many people and often speak of it. No wonder: it has a simple story but very human, often born of the best movies. And those that remain etched in the collective memory.
- How did this new collaboration with Jean Becker? - Jean called me and sent me a book and thought of me for one of the papers. I enjoyed reading Afternoons with Margueritte, especially the language used by the author highway Marie-Sabine Roger. But the relationship full of tenderness between the old and played by Gérard Depardieu buenazo. Then I got the script, in which Jean followed the book to perfection while giving it a personal note: his love of nature, which is visible without being forced. I acknowledge that I do not live in nature. I am a Parisian-blooded and have always lived in the district XVIII. Although he knows nothing of the field, is the aspect that touched me.
- What do you like when working with Jean Becker?
- I returned to find the same goodness in the filming of The fortune of living. And also its efficiency: no time is wasted on a set with Jean. It is very nice because it asks, but does not impose. Do not fight with him, everything is natural and pleasant, and even more so because the character I play I was not at all strange.
- Margueritte How would you describe?
- perhaps due to the numerous travels, he feels a certain detachment from his surroundings. It is sensitive, but not whining. Despite its appearance, have much authority.
- Why do you feel affection for the character Chazes Germain?
- I am moved by the sincerity and naturalness of the man. Above all understand your desire to know more. Is someone unpolished, even boorish, but eager to learn what life has given him no.
- Was it difficult to become your character?
- Pierre Fresnay had a theory and I share with him: no one enters a character, the character must enter the actor. Although not known as many things as Marguerite, I had no trouble at all letting me penetrate her. I do not know if the result is convincing, but there was no difficulty in interpreting character.
- How did the scenes that set the pace of the film with Gérard Depardieu in the bank?
- First, I was delighted to meet Gerard. It was all very natural between us. Do not forget what could be his grandmother. If God permits, I will fulfill 96 years in June. Then, it is very pleasant to work with a great professional. I had fun with him during the preparation of the plan, gestures, laughs, speaks volumes.
- Still getting nervous when he plays?
- In the theater I have fear to tread upon the stage. In a set too, but different. We are in the hands of art director and we are not solely responsible for the work. To surrender completely, very reassuring to work with a director as good as Jean. I know enough to listen and try to follow his instructions.
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