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problems with alcohol and constants Love partying cause is dismissed from his job. With his partner, Luna, strive to overcome obstacles that threaten their relationship.

When Love enters a strict Muslim and changed dramatically, Luna, torn, wondering if you simply love to keep the couple on the road to happiness ...

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SYNOPSIS ON THE ROAD CONDITIONS

"On the Road" is the literal translation of the original title ON THE ROAD. In Bosnian means going towards something, but it also has a spiritual meaning. Used to describe a person who must choose, which should reach a goal.

The pair made by Luna and Amar is in the same way of life and love in your unit. But their paths diverge and must begin to make decisions, not only as partners but as individuals. We also use the expression "na putu" to refer to a pregnant woman, because the child is "on track".

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In " IN THE WAY" , Luna wants a child with the man she loves, but you can decide if pregnant or not. In my first film, Grbavica, Esma's secret , the protagonist had no choice. She was raped in a detention camp during the war. The past is important in the life of both, but Moon must make decisions in the present.

is aware of its responsibility for the relationship itself and its future. To have a child with his whole being, but also concerned about under what conditions and at what price. It is a decision to make alone after rebuild their world.

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MATERNITY TWO DIFFERENT TYPES OF LOVE

Grbavica, Esma's secret and ON THE ROAD are two very different films that tell stories about two kinds of love. I have even thought that maybe we should invent a new word to differentiate between the love of a mother for a daughter and a woman by a man. ON THE ROAD is the story of a contemporary couple in Sarajevo. In addition to being in love, Luna and Amar are linked by the past, which further strengthens the link.

The two try to make a war-torn past bearable today. While writing the script, I thought about the two characters as one body with two distinct parts. Have common interests, common friends, but the daily obstacles they reacted differently. I wanted to explore the need to adapt to another in a relationship. Which set of emotions, knowledge, experience and imagination to shape a relationship? To what extent the perception of the world around us affects the rhythm of our bodies when we make love?

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BELOW WHAT YOU SEE IN BOSNIA

I'm interested in characters that seem logical at first glance, but they hide the harsh experiences of life inside. I am interested in the time history emerges as a seed from the ground. The story of Luna and Amar goes below what is seen. Luna is a woman who has been able to find a way through this. Works instinctively and was able to put the past in place, can function in the present. She is convinced that the problems left behind.

not understand what happens when love begins to change. Try to understand that love wants to be "a better man," but can not accept rules "outside" organize your life. Beneath the surface, the layers of past tectonic Amar suffer increasingly facing an obstacle in daily life. Try to structure your life and put an order in its interior.

But the new structure shakes love the harmony that had reached with Luna. When you try to fix the past with other tools, requires Luna to confront her past, to return for the first time Bjeljina, the birthplace of the war and forced her to leave.

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ISLAM A WORLD

Most of the inhabitants of Bosnia-Herzegovina are Bosnian Muslims are part of practitioners and others simply have been raised according to Islamic traditions. I had a very religious grandparents prayed five times a day. My other grandparents were considered to be Muslims, but did not practice and did not ban alcohol, for example. Although respected Islamic traditions.

The Feast of Eid on the road is pretty much as my family celebrates it. My parents were children of the community and considered religion as the opium of the people. Despite his Marxist ideas still involved in some Islamic customs and festivals. After the war, the Bosnian Muslims who survived the genocide were found in a barren field where they had massacred the old ideas and human rights. For many, religion became a nice blanket. Bosnians consider themselves Europeans, but the EU is not sure what we are. If so, what are we?

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NO MORE RELIGIOUS

Numerous studies show that religion has a place in our lives more than ten years ago. It is said that Western civilization is not only becoming more religious, but more and more puritanical right wing. I've noticed that many people my age find comfort in religion.

But although religion plays an important role in ON THE ROAD was not my intention to make a movie about religion. The theme of the film is the way the religious transformation of love affects your relationship with Luna. The attitude of the latter is often critical, but I have not wanted to do a movie against Islam. I chose Islam because the religion with which I am most familiar.

but on the road would remain the same movie if one partner decides to dive into the more orthodox Judaism, fundamentalist Christianity or Hare Krishna.

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DAN OUT TO WOMEN

Once, at a friend's house, a man refuse me hand. He told me not shaking hands with women. I felt insulted. I asked why not shaking hands with women and I asked myself why I got so angry. I said I was a Salafi Muslim and decided to document on this relatively small community in Bosnia. I was astonished to discover that he had ex punks, former drug addicts and young people with Communists.

All had been integrated into the Salafi community for different reasons. These young people inspired me to build love in ON THE ROAD. Salafism is a broad movement often called Wahhabism Muslim, a fundamentalist Muslim sect. But the Salafis never refer to themselves as Wahhabis, and may even consider the term as an insult.

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PREJUDICE THE TRANSFORMATION OF LOVE

The media has successfully associated with the Salafi terrorism, such as the fundamentalist group Al-Qaeda, but it is wrong for terrorists to cross out all Muslims who respect the doctrine to the letter in the world. I chose the Salafis because the prejudice against them the challenge seemed appropriate for the story of a young couple in Sarajevo. Since the majority of Bosnians are Muslim, there is a pronounced anti-Wahhabi attitude in the region. Everyone wants to make clear that they have nothing to do with terrorism but celebrate the festival of Eid. Luna does not hide his dislike for the friend "Wahhabi" Amar and his wife evening. The journalist friend of Luna is the perfect example of how quickly the media can convey facts and rumors.

Like Moon, I was prejudiced. I tried not to impose ideas and convictions that became the propaganda film. I'm not here to judge or defend Salafism, Wahhabism, Islam or any religion. I love my characters and let their personalities to guide the story. I am interested in creating more realistic characters that politically correct. Luna and prejudices still do not trust, but try to understand. Want to recognize that contact with the Wahhabis Amar has helped to overcome alcoholism. But can not accept that her husband is in the hands of others, and not yours.

When I make a movie, I immerse myself in a self-examination process similar to that of my characters. For on the go, besides trying to understand the time and place where I live, I also wondered about my identity and my beliefs.

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Like many men in Bosnia-Herzegovina, Amar was a soldier, and the ground opened beneath their feet. Drink to fill the gap created by the death of his brother, war and the difficulties of modern life. It is fragile and attempts to find meaning in his surroundings.

need fellowship, male support, protection, and find all this in religion. Moreover, the love he feels for Luna is also very important. I wanted to explore love and transformation. I discovered that the transformations are very fast if the emotional gap is large. Amar seeks solace, some explanation and an identity. Wahhabi community offers a sense he was looking for peace, answers and makes you feel part of a group.

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the Wahhabis

A mutual friend introduced me to a former member the Salafi who, in turn, introduced me to the community. Paradoxically, I can now say that a woman gave me communication with the Salafi. I spoke to many members of the community. I went to mosques, I talked to theologians and anthropologists. I took religion classes. I talked to women about how they felt, what they thought.

Costume designer consulted with them to choose the clothes and veils. The makeup studied the beards of the men in order to copy them. The decorators worked with the organizers of the first Wahhabi camp to build the camp ON THE ROAD. Everyone told us it was a dangerous project, but we did not have a single negative experience dealing directly with the Salafi.