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will we get good morning


Good morning.
Today as one of the many times I am the door of my clinic seeing dawn.
I wonder where we go, I have to get the good morning, after asking who is the last? I am surprised that nobody answered me. The grandfather who was opposite me, I could not hear very well because I wore a hearing aid but has been moving his lips in his direction
and talking with the nurse not seem screaming who has not had communication problems. Timidly
a young man hear my good morning and ask who was the last I made a signal without much conviction.
The next 15 minutes were a coming and going of people who seemed like they were the only ones waiting for the opening of the clinic.
If at the end will be right singer Mala Rodriguez when he says that that "the street is blind, if you want help shouting fire"
The beautiful sunrise, humanity every day more disappointing, to lead by example if only to keep trying .
Good morning everyone.

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VOSE

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problems with alcohol and constants Love partying cause is dismissed from his job. With his partner, Luna, strive to overcome obstacles that threaten their relationship.

When Love enters a strict Muslim and changed dramatically, Luna, torn, wondering if you simply love to keep the couple on the road to happiness ...

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SYNOPSIS ON THE ROAD CONDITIONS

"On the Road" is the literal translation of the original title ON THE ROAD. In Bosnian means going towards something, but it also has a spiritual meaning. Used to describe a person who must choose, which should reach a goal.

The pair made by Luna and Amar is in the same way of life and love in your unit. But their paths diverge and must begin to make decisions, not only as partners but as individuals. We also use the expression "na putu" to refer to a pregnant woman, because the child is "on track".

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In " IN THE WAY" , Luna wants a child with the man she loves, but you can decide if pregnant or not. In my first film, Grbavica, Esma's secret , the protagonist had no choice. She was raped in a detention camp during the war. The past is important in the life of both, but Moon must make decisions in the present.

is aware of its responsibility for the relationship itself and its future. To have a child with his whole being, but also concerned about under what conditions and at what price. It is a decision to make alone after rebuild their world.

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MATERNITY TWO DIFFERENT TYPES OF LOVE

Grbavica, Esma's secret and ON THE ROAD are two very different films that tell stories about two kinds of love. I have even thought that maybe we should invent a new word to differentiate between the love of a mother for a daughter and a woman by a man. ON THE ROAD is the story of a contemporary couple in Sarajevo. In addition to being in love, Luna and Amar are linked by the past, which further strengthens the link.

The two try to make a war-torn past bearable today. While writing the script, I thought about the two characters as one body with two distinct parts. Have common interests, common friends, but the daily obstacles they reacted differently. I wanted to explore the need to adapt to another in a relationship. Which set of emotions, knowledge, experience and imagination to shape a relationship? To what extent the perception of the world around us affects the rhythm of our bodies when we make love?

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BELOW WHAT YOU SEE IN BOSNIA

I'm interested in characters that seem logical at first glance, but they hide the harsh experiences of life inside. I am interested in the time history emerges as a seed from the ground. The story of Luna and Amar goes below what is seen. Luna is a woman who has been able to find a way through this. Works instinctively and was able to put the past in place, can function in the present. She is convinced that the problems left behind.

not understand what happens when love begins to change. Try to understand that love wants to be "a better man," but can not accept rules "outside" organize your life. Beneath the surface, the layers of past tectonic Amar suffer increasingly facing an obstacle in daily life. Try to structure your life and put an order in its interior.

But the new structure shakes love the harmony that had reached with Luna. When you try to fix the past with other tools, requires Luna to confront her past, to return for the first time Bjeljina, the birthplace of the war and forced her to leave.

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ISLAM A WORLD

Most of the inhabitants of Bosnia-Herzegovina are Bosnian Muslims are part of practitioners and others simply have been raised according to Islamic traditions. I had a very religious grandparents prayed five times a day. My other grandparents were considered to be Muslims, but did not practice and did not ban alcohol, for example. Although respected Islamic traditions.

The Feast of Eid on the road is pretty much as my family celebrates it. My parents were children of the community and considered religion as the opium of the people. Despite his Marxist ideas still involved in some Islamic customs and festivals. After the war, the Bosnian Muslims who survived the genocide were found in a barren field where they had massacred the old ideas and human rights. For many, religion became a nice blanket. Bosnians consider themselves Europeans, but the EU is not sure what we are. If so, what are we?

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NO MORE RELIGIOUS

Numerous studies show that religion has a place in our lives more than ten years ago. It is said that Western civilization is not only becoming more religious, but more and more puritanical right wing. I've noticed that many people my age find comfort in religion.

But although religion plays an important role in ON THE ROAD was not my intention to make a movie about religion. The theme of the film is the way the religious transformation of love affects your relationship with Luna. The attitude of the latter is often critical, but I have not wanted to do a movie against Islam. I chose Islam because the religion with which I am most familiar.

but on the road would remain the same movie if one partner decides to dive into the more orthodox Judaism, fundamentalist Christianity or Hare Krishna.

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DAN OUT TO WOMEN

Once, at a friend's house, a man refuse me hand. He told me not shaking hands with women. I felt insulted. I asked why not shaking hands with women and I asked myself why I got so angry. I said I was a Salafi Muslim and decided to document on this relatively small community in Bosnia. I was astonished to discover that he had ex punks, former drug addicts and young people with Communists.

All had been integrated into the Salafi community for different reasons. These young people inspired me to build love in ON THE ROAD. Salafism is a broad movement often called Wahhabism Muslim, a fundamentalist Muslim sect. But the Salafis never refer to themselves as Wahhabis, and may even consider the term as an insult.

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PREJUDICE THE TRANSFORMATION OF LOVE

The media has successfully associated with the Salafi terrorism, such as the fundamentalist group Al-Qaeda, but it is wrong for terrorists to cross out all Muslims who respect the doctrine to the letter in the world. I chose the Salafis because the prejudice against them the challenge seemed appropriate for the story of a young couple in Sarajevo. Since the majority of Bosnians are Muslim, there is a pronounced anti-Wahhabi attitude in the region. Everyone wants to make clear that they have nothing to do with terrorism but celebrate the festival of Eid. Luna does not hide his dislike for the friend "Wahhabi" Amar and his wife evening. The journalist friend of Luna is the perfect example of how quickly the media can convey facts and rumors.

Like Moon, I was prejudiced. I tried not to impose ideas and convictions that became the propaganda film. I'm not here to judge or defend Salafism, Wahhabism, Islam or any religion. I love my characters and let their personalities to guide the story. I am interested in creating more realistic characters that politically correct. Luna and prejudices still do not trust, but try to understand. Want to recognize that contact with the Wahhabis Amar has helped to overcome alcoholism. But can not accept that her husband is in the hands of others, and not yours.

When I make a movie, I immerse myself in a self-examination process similar to that of my characters. For on the go, besides trying to understand the time and place where I live, I also wondered about my identity and my beliefs.

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Like many men in Bosnia-Herzegovina, Amar was a soldier, and the ground opened beneath their feet. Drink to fill the gap created by the death of his brother, war and the difficulties of modern life. It is fragile and attempts to find meaning in his surroundings.

need fellowship, male support, protection, and find all this in religion. Moreover, the love he feels for Luna is also very important. I wanted to explore love and transformation. I discovered that the transformations are very fast if the emotional gap is large. Amar seeks solace, some explanation and an identity. Wahhabi community offers a sense he was looking for peace, answers and makes you feel part of a group.

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the Wahhabis

A mutual friend introduced me to a former member the Salafi who, in turn, introduced me to the community. Paradoxically, I can now say that a woman gave me communication with the Salafi. I spoke to many members of the community. I went to mosques, I talked to theologians and anthropologists. I took religion classes. I talked to women about how they felt, what they thought.

Costume designer consulted with them to choose the clothes and veils. The makeup studied the beards of the men in order to copy them. The decorators worked with the organizers of the first Wahhabi camp to build the camp ON THE ROAD. Everyone told us it was a dangerous project, but we did not have a single negative experience dealing directly with the Salafi.

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OLA HOTELS

Is the count that I had to bust it.
Anyway, are going things, my holidays were reduced to a few days on the coast of Mallorca.
Being from there, we went on a Friday morning to a coastal village called Porto Colom, on arrival we found our hotel (apartment) was in a nearby cove Cala Marçal.
pleasant reception and the room seemed to tell me right though.
But normalcy ended there, at dinner all right except that when they charged us € 3 by the time tap water (no us that he had bottled water to 30 cents a gallon more expensive.
After a few drinks in the complex bar we set out to go to sleep and surprise (air conditioning was 18 º c and had no control), a night without aire.Por morning visit to the reception and the technician with his command put at 24 ° c.
Second night Cala Marçal but you English to all paid and you want to have fun is dead, then to sleep that morning stroll (air at 24 º c me on the mouth and must be back off to helarme or attempt to move the bed in place and Bonded seeing structures that make it more bed off the air.
third morning mattresses have not left us to sleep and have seen none, an army of ants roam freely around the room (on top of that I find have provided no insecticide under the sink)
We will spend the day around and put the sign do not have room for towels, to arrive in the afternoon we discovered that have neither entrado.Ya dinner and we were not to sleep or have breakfast because we want to enjoy the day we left. Moral
never know how you're going to leave a vacation, but for good or bad that they will always give you for a blog post.
Pd. The views from the rubbish bins located under the beautiful room (a mere 3 feet away from the railing on the edge of the container)





The picture is wonderful but they must take the English that 2 in the morning, laughing piscina.Normas dived to which they marked and I mean the British.

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GALLEGA LINUX DISTRIBUTION SHED Minino


Viewing a bit like this the courtyard of the hardware is logical that people like these Galician are shifted to create light distributions for old equipment and others as old as notebooks with systems like win7 but look old. SHED
Pussycat is an operating system on which you will not miss anything, just like your machine you will notice gains in speed and stability.

Here I leave the link to download the live iso.

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THE GOOD SIDE OF THE CRISIS



In these times we are living in the most recurrent theme is the happy crisis.
Hundreds of businesses close because they can not cope with the losses, many others remain
without giving any benefit to the economy expected to rise. Meanwhile

troubled waters of the benefit is the relationships (call family, call it x)
separations now have to postpone until the members have enough purchasing power to secede, it's sad but keeps many relationships Live the money without which there is no separation or think it is totally unworkable. Well
looking coldly, this happy, giving us second and third chances to force, because there is another, which I take to try to keep alive the flame that may be extinct no choice but to stir.
Well if it is not to say blessed crisis, making more friends friends and family stronger.

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As we are holding this bike hitch, in this case age, in ours, intolerance, selfishness, consumerism and many other isms that make our life a little island in which shelter from what surrounds us and makes us more intolerant everyday consumerist ego ....
a phrase I heard on television that we should apply as a maximum. It is richer
which has most, if not the one who needs the least.

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CLIPS FROM "MY EVENING WITH MARGUERITTE"

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SYNOPSIS TRAILER IN SPANISH INTERVIEW WITH JEAN BECKER

is the story of one of those improbable meetings that can change a life. Found in a park Germain, more than fifty years and nearly illiterate, and Marguerite, a frail old woman with a passion for reading. Forty years and a hundred kilos between them.

By chance, Germain sits beside him. Marguerite began to read excerpts from novels, making him discover the magic of books, which are believed Germain excluded. Suddenly, for the people around you, for your friends for coffee, which until now has been taken for a fool, idiocy tilts and switch sides. But Margueritte be going blind and love for this adorable mischievous and caring grandmother, Germain will be strong and show him who is able to read when she no longer can.

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- How did you discover the novel by Marie-Sabine Roger and why she wanted to adapt it to the big screen?
- Someone in my confidence is devoted to research topics and made me discover the novel Afternoons with Marguerite, Marie-Sabine Roger. Nothing more to read, I was captivated. Then I drew the character of this good man unpolished, suffering with a lack of culture and could be dismissed as a simpleton, but not be for nothing. Thanks to a fortuitous meeting with an old lady scholar who will reveal the wealth of reading, evolves.

- Why nominated Jean-Loup Dabadie that adapt to you?
- long time we wanted to work together. I gave read Afternoons with Marguerite, he really liked. It was the perfect occasion.

- Do you like the writing process?
- For me, the highlights of the filmmaking process for writing and editing. The shooting is a distressing period because I have always the impression of being under the dash and I force myself to be as rigorous as possible so as not to get away from the written page.

- He has always been the same during the filming?
- It's nice to meet every day for six weeks in a row with gang members. But I'll be honest, it can be very boring always having to answer the same question: "What do we do?" I recognize that I am a hard man during filming. Cry a lot, but I know that every mistake me away from the goal: to be faithful to what is written. For me, every detail is essential. Just a little mistake to jeopardize a film. So prepare each scene in advance and avoid the failures. "

- When thought of Gérard Depardieu, with whom he had worked in Elisa, for the role of Chazes Germain?
- Next. Even before you start writing the script. Di's novel Marie-Sabine Roger Bertrand de Labbey, my friend and my agent. He suggested Depardieu's name and asked if I could give her the book. Gerard called me after three days and told me about the story and character for over an hour, much deeper. I think you know the book as well or even better than I, that explains the fluidity of interpretation. The deep love she felt for the story was to increase my desire to make the film. And then there's the joy that went into collecting with that old woman, a 95-year extraordinary actress, Gisèle Casadesus. After a screening, someone told me: "Those two were meant to be."

- I had directed in The fortune of living. Why proposed this new role?
- Despite a fragile appearance, Gisèle has lots of character, something that fit perfectly with the character. Do not think it necessary to speak of his talent.

- Let's talk about roles. Can you explain briefly what prompted him to choose the actors, beginning with Claire Maurier in the role of mother Chazes Germain?
- I saw on TV in an air is extinguished by Cédric Klapisch, and I immediately knew that Claire was able to play the role of the mother violent and peculiar.

- Maurane?
- Then took the role because I wanted to do, but was also afraid of not living up to. But he got into character quite naturally. Humanly, it is someone very special.

- Sophie Guillemin in the role of girlfriend Germain?
- It's a very natural performer. The couple formed with Germain is perfectly credible. It is true that the age difference between the two is great, but after all, she is the one who pampers. I have the impression that work well together on screen.

- Is it easy to find actors that correspond to their idea of \u200b\u200bthe characters?
- I rely heavily on selection of the casting director.

- How directs actors on the set?
- not directed at an actor. I hate that expression. I give them free rein. Occasionally we talk about a small misunderstanding.

- Tell me about the staging.
- I like to make a simple movie. My father would often say that a good staging is the staging that is not noticed. If you excel, to the detriment of the story because the viewer is set to something that is not essential. For me, the staging is to accompany the evolution of the characters during the course of the plot.

- All movies have one thing in common: they are nostalgic not regret the past. How get a result so sensitive?
- do not know. The subjects move me. Most come from novels. Others use the building for storytelling.

- It comes to see EVENING WITH MARGUERITTE completely moved, without the feeling of having given in to blackmail tear. What method used to achieve this result?
- No tears start looking for the public, though some claim otherwise, nor do I have pulled the strings of sentimentality. Just try to tell best what moves me and bring this emotion to the screen.

- Do you think that with every movie he learns to tell stories better that move him?
- course improved. No, just kidding. But it's true you learn something with every movie and I always try not to repeat my mistakes. Sometimes, experience is helpful ...

- Have you changed much in the editing room?
- I tried deleting the moments in which the viewer could anticipate the next scene. Never doubt the time to cut. It is more difficult in the early films that you do because you want to images. But a director should not fall in love with your images. I learned not to do and concentrate on rhythm.

- Why Laurent Voulzy asked to compose the music for the film?
- Very simple, and the answer is not original. I like his songs and melodies. At first I accepted because I thought that would not have time. But when I showed him the film, said yes. Then, everything went very quickly. After a month he sent a theme that we liked.

- Do you panic the premiere of his movie?
- It is said that once finished the assembly, the film does not belong to the principal. As far as I'm concerned, it is not true. I get involved all the way to the premiere. If it takes three years to make a film, a detail I do not want anything to ruin all our efforts on the home stretch, for the promotion of film. Then when the movie comes to the public, can work well, moderately or poorly.

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interview with Gerard Depardieu

- I had worked with Jean Becker's Elisa, the mid-90's, but how long have you known?
- I have a feeling that since forever. Jean belongs to a cinematic tradition whose members have been, in a way, my parents. I mean actors like Jean Gabin, Bertrand Blier, Paul Meurisse, Pierre Brasseur, Michel Simon, authors such as Michel Audiard and his unique sense of replication, dialogue, language. All that is lost. It is no coincidence that Jean is one of the few filmmakers, Claude Chabrol, who conserve and make live the spirit belonging to a kind of popular cinema that is disappearing. Just look at his films, is interested in the details.

- Has it changed much since he shot Jean Becker Elisa?
- No, only more demanding. He does not trust himself. Jean is a pathological hiperemotivo. He wants the truth is evident in his films, not that film. Part of the filmmakers who do not always manage to make what they want to achieve. But they are artists, because art is not moved by words. It is similar to that found in wine or sculpture, you have to be a magician to get it. Can not be explained. Knew by heart the manual for perfect staging does not mean being a great filmmaker.

- How did working in EVENING WITH MARGUERITTE?
- Labbey Bertrand sent me the novel by Marie-Sabine Roger. As I read, I called to tell her that Jean had a knack for choosing great books. At the end of the day, to make movies, do not you just a wonderful story like this? I do not like the effects. And in the movies more and more effects. Jean is on the opposite side. Decided to adapt the novel that is simply moving in the noblest sense of the word. And just let go to play Chazes Germain.


- Speaking of Chazes Germain, how is the character?
- is not evil. Is complex, but not angry about anything. It is extremely positive, but that's not a simpleton. Germain I could have been in real life. It's like when I was 13 and decided to leave. I also watched it all, I noticed everything. I know, I know how much humor and love leads inside. There is more to see the relationship with her mother. Although she has not shown love, not condemnation. He loves a girl played by Sophie Guillemin. When together, the age difference disappears because it is a pure. Contrary to what many may believe, Germain is a character who fits perfectly in modern times. In my opinion, represents what is left to live if you flee from society that we offer. Germain, still believes in certain values \u200b\u200bin life, despite having been hit by everything.

- Since we know the path to Chazes Germain, was easy to interpret?
- Yes, as I've said before, enough to get carried away by situations and by text. When I act, I always try to be as close to what the viewer can watch and see. Do not know what else can bring to a situation described as a text. You should not compose, invent, if you do not want to fall into the format of both fled.

- Has been a pleasure working with Gisèle Casadesus?
- A tremendous pleasure because I became a spectator. It's amazing to see a woman her age to memorize a text and focus as she does, shows that is very valuable. But I was seduced by its incredible femininity, her coquetry, which I think the fruit of a beautiful life and love, hope or belief. Gisèle believe in birds, the beauty, sorrow and sadness in a world where many people lack the courage to face the storm of grief. When I work with her, I see everything, I feel its tremors. Ahead of her, I feel free. Freedom means not being afraid of anything, have the force of life itself. In As you begin to feel fear, it's over. I am not afraid of anything, let alone the existence, unlike many people who, as it ages, is surrounded by railings.

- Gisèle Casadesus is compared to a hurricane when it appears on the set before shooting a scene. Do you agree with that description?
- Yes, it's my nature. But just hearing the word "motor", I'm in the paper. Also, I can fall asleep in a chair rather than move, and work the same way. The scene is all that counts, no matter whichever is earlier.

- Still feeling the same pleasure as always when it comes to acting?
- Yes, of course. Especially since I do many things when they ring and a shoot is like a break. Although the film has changed, equipment, people remain the same. I know the U.S. filming with his huge amount of media and a host of assistants. But I grow heavy. There is no room for spontaneity. Actually, I'm like the character of late with MARGUERITTE: alive today. Last comes quickly, you do not get it. I eat constantly present, all that eludes us and we lived when we sleep, when we love, when we look ... Everything leaves traces in memory, pain, feelings, sounds, colors, smells, ... And the pain, these feelings, sounds, colors, I smell fuel. That explains why, before a shoot, I never think the character that the director interpret them except when I talk about it. And in this case, was to prepare the paper Chazes Germain, a man watching people and listening.

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Gisele Casadesus INTERVIEW WITH SELECTED FILMOGRAPHY

- What are your memories of the fortunate, the first film shot with Jean Becker?
- An excellent and not so distant memory. It was a movie that struck many people and often speak of it. No wonder: it has a simple story but very human, often born of the best movies. And those that remain etched in the collective memory.

- How did this new collaboration with Jean Becker?
- Jean called me and sent me a book and thought of me for one of the papers. I enjoyed reading Afternoons with Margueritte, especially the language used by the author highway Marie-Sabine Roger. But the relationship full of tenderness between the old and played by Gérard Depardieu buenazo. Then I got the script, in which Jean followed the book to perfection while giving it a personal note: his love of nature, which is visible without being forced. I acknowledge that I do not live in nature. I am a Parisian-blooded and have always lived in the district XVIII. Although he knows nothing of the field, is the aspect that touched me.

- What do you like when working with Jean Becker?
- I returned to find the same goodness in the filming of The fortune of living. And also its efficiency: no time is wasted on a set with Jean. It is very nice because it asks, but does not impose. Do not fight with him, everything is natural and pleasant, and even more so because the character I play I was not at all strange.

- Margueritte How would you describe?
- perhaps due to the numerous travels, he feels a certain detachment from his surroundings. It is sensitive, but not whining. Despite its appearance, have much authority.

- Why do you feel affection for the character Chazes Germain?
- I am moved by the sincerity and naturalness of the man. Above all understand your desire to know more. Is someone unpolished, even boorish, but eager to learn what life has given him no.

- Was it difficult to become your character?
- Pierre Fresnay had a theory and I share with him: no one enters a character, the character must enter the actor. Although not known as many things as Marguerite, I had no trouble at all letting me penetrate her. I do not know if the result is convincing, but there was no difficulty in interpreting character.

- How did the scenes that set the pace of the film with Gérard Depardieu in the bank?
- First, I was delighted to meet Gerard. It was all very natural between us. Do not forget what could be his grandmother. If God permits, I will fulfill 96 years in June. Then, it is very pleasant to work with a great professional. I had fun with him during the preparation of the plan, gestures, laughs, speaks volumes.

- Still getting nervous when he plays?
- In the theater I have fear to tread upon the stage. In a set too, but different. We are in the hands of art director and we are not solely responsible for the work. To surrender completely, very reassuring to work with a director as good as Jean. I know enough to listen and try to follow his instructions.

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EVENING WITH MARGUERITTE
2010 2008 2006
Love Me CONVERSATIONS WITH MY GARDENER
2003 MEMORY GARDENS
2000 A CRIME IN PARADISE 1998
fortunate to live
1995 ELISA ( César for Best Music)
1983 SUMMER MURDERER (César for Best Actress, Best Supporting Actress and Best Editing)
HOOLIGAN
1964 1967 SWEET ESCAPE LIBRE A
1961 OF LA Rocca

Denise Milani Inactive

POSTER JEAN BECKER AND SELECTED FILMOGRAPHY PHOTOS